From 1988 by Katsuhiro Otomo, a legend of the cyberpunk genre, quite rightfully so.
At last, a nice movie on the fringe of supernatural!
Personal Shopper by Olivier Assayas, not your classical ghost movie. It is sometimes difficult to see where the movie is going, but it reveals itself fully in the end. Also if you thought you knew Kristen Stewart, think again! She delivers a great performance which really adds to the mood of the movie.
I’ve finally seen Gravity by Alfonso Cuarón. I remember that this film was so praised for its visual effects and now I finally got to see it. That’s about time! The first fiften minutes or so were really thrilling. I really was under the impression that in space, no one can hear you scream. And I coud feel the relentless and terrifying apathy of cosmos.
But that was about everything there is to it as the rest of the movie lacked anything of substance and I wondered if this wasn’t just a demo for the use of 3D in cinema. It just seemed to me that the movie jumped to the end credits with nothing to tell. And I keep asking myself, what’s this movie all about?
Beside it was beautiful and visually stunning. I didn’t see it in 3D, and I’ve heard that it propels the movie to a whole new level. Also it is said that this is one of the few movie that is worth watching in 3D. But this fad is dying fast.
Although I never really believed in this trend, 3D brought far less to the cinema than the arrival of sound and color. It does not help to immerse the viewer deeper into the story. If you want this, perhaps you would need complete VR, but that is an entirely different medium.
The Lobster directed by Yorgos Lanthimos, Jury Prize at Cannes festival. I really wanted to see this movie although I didn’t really know what to expect. Now that we’ve seen it, it’s really hard to give it a specific genre. We came to the conclusion that it is just disturbingly horrible. The same feeling that you have when you are faced with something really horrible, yet totally real, but so horrible in fact that you don’t want to accept it. It was like a gigantic kick in the ass. A burdensome fable that still haunts me and makes me feel nauseous. Probably not everybody’s movie, but still a really great movie.
The Martian directed by Ridley Scott based on a novel by Andy Weir. Considering the last science fiction movie directed by Ridley Scott, I waited for this movie with a bit of anxiety. I still think Scott is a great director, but a butchered plot really can ruin everything.
Annnnnd… I really enjoyed it! It was like watching Prometheus again, except that the plot actually made sens. Damon Lindelof is an awful writer, some have gone so far as to call him an anti-Midas because it seems like everything that he touches just turns to shit. But this isn’t a Prometheus review…
Matt Damon already knows a thing or two about being stranded on a distant planet. But don’t get me wrong, this movie is entirely different.The Martian is fun, optimistic and keeps its feet firmly on the ground, well Martian ground to be more precise. While dancing around a black hole made for Interstellar breathtaking moments, The Martian can be summarized as Man versus Mars. Put in other way while Cooper’s crew carried on their shoulders the last hope of humanity, Mark Watney is by all standard simply that – an ordinary man. By the way there is still something I’ve a hard time to find out about this movie. And I wish I could see it again just for that. From time to time you can see a personage programming to solve some random problem, the camera switches to some computer screen and you can briefly see the source code. I noticed semicolons, and perhaps arrows, but could not pinpoint which language it was. Still it seemed familiar. So if anyone knows better.
It’s been a long time since I last posted about a movie. Truth is, there are so many movies that I’ve seen since then that I wanted to talk about, but finally didn’t seem to find the time. So I postponed to the next week, and then to some week-end eventually and finally I didn’t post anything.
Actually it’s been so long that I’ll probably have to watch all those movies again before I can post about them. I don’t mind this though, and will probably watch them again anyway. But I really think I should post ASAP and try my best to keep it short.
That was for the short update. Now for the movie…
Cafard by Jan Bultheel inspired by the true story of the Belgian ACM corps sent to Russia to fight the German army in 1915. Not a movie about war, if you ask me, or not only. But a great and colorful animation for adult.
We start this new series with Interstellar by Christopher Nolan. I did not expect to watch this movie. Actually you must know that I was somewhat apprehensive. To me this movie was a direct inspiration from The Songs of Distant Earth by Arthur C. Clarke. This book stirred me so hard. To the point it has partly shaped my vision of life, and of the place we have here. I felt that no movie could ever render this. And I (deeply) feared to see one of my favorite science fiction novel trampled on by yet another gargantuan sf blockbuster overflowing with CGI in every possible direction with a bunch of heroes saving the world (again) because you know that’s just what heroes are for anyway.
Well I must admit, this is what I just saw, yet I was agreeably surprised. And the emotional impact that built all along the movie far outreached my expectations. I found myself multiple times begging for the storyline not to slip into one direction or another, because I felt that all this tension would deflate grotesquely like a dismaying soufflé, only to find minutes later that it was still ok.
The movie itself is not without fails. It is extremely ambitious. And as someone would naturally expect, it misses the point from time to time. It sometimes drew itself too far into the drama to the point that the story was loosing its legitimacy. Some scenes deserved to be more explored, and the fast paced rhythm contrasted too much with the heavy atmosphere of interstellar travel through the vastness and solitude of space combined to the ultimate hope of humanity that the movie tried to convey. These two themes go very well together. But they must be treated with due respect and certainly not as a way to blow up things and acting as a show-off.
Best acting goes for Anne Hathaway (Brand). On the other hand Cooper, Matthew McConaughey’s personnage, sometimes lacks conviction that would benefit to some key parts of the movie. Dialogues are somewhat clunky, and that certainly didn’t help. There are multiple unassuming nods to other sf movies. 2001 being one of them though both movies are still far apart. I was also pleased to see another nod to Arthur C. Clarke, The Garden of Rama.
In conclusion, my impression is that this movie could have been something awfully good. But it is not bad either. I’d even go to say that it is good up to very good.